Kashmir Music Live reviews SXR’s long-awaited album titled Shalakh. The review includes commentary on many of the songs featured on the album, with discussions on the stylistic and thematic elements that shape this major release by the Kashmiri Hip Hop artist.
Oyekunle Ifeoluwa Peter presents two poems with the underlying themes of grief, loss and pain, all of which are ontologically located within the geography of a body or within the fragile edifice of being. Both poems convey a maturity that is spiritual and offer verses that communicate the perseverance of a poetic voice that has oared through hurricanes and storms, within and without.
Kashmiri Aesthetics is an Instagram channel run by young Savi Bukhari, who created the space to explore visual, literary, and textual aspects of Kashmiri culture and history and to present these to people on social media, especially young Kashmiris. In the following interview, Inverse Journal discusses the motives behind such a creative undertaking and the larger questions that emerge as one begins to engage with Kashmiri Aesthetics on a popular social media platform.
Inverse Journal presents these haunting verses by emerging Nigerian poet Eniola Abdulroqeeb Arówólò, in a poem that attempts to seek distance from the lingering grief caused by death. In the poem, the young poet and Mass Communications student reveals the passing of his friend “who committed suicide this year”, the death of his “grandmother in 2017” and “the gruesome extrajudicial killing of Chibok girls from the Eastern part of Nigeria by Boko Haram.” As the poet states, “Elegy in which I am bidding everything adieu” is a poem “of many grievances, one I may not do away with for years.”
Inverse Journal introduces “4 Shadows”, Azim Hassan’s solo exhibition recently held at Daye Art Gallery in Hangzhou, China. The exhibition gathered ten years of Azim’s work, from the Anantnag native’s early days in Kashmir to more recent creative explorations from his years in Hangzhou.
Dr. Asima Hassan brings us a touching poem that addresses the loss of life as it relates to the bond between a mother and a child. Perhaps the most difficult topic to explore through any artform, yet central to Picasso’s “Guernica”, Dr. Hassan’s poem verbalizes the unspeakable to give a contour to unfathomable grief.
“Just Another Bus Ride” is a story of a twelve year old girl in Srinagar who is very hungry at the close of school and worries about the bus ride home. Her thoughts are about how to best find a snack as she gets onto the bus. The bus finds itself in the middle of a tear gas shelling. The bus driver manoeuvres them out of it, with the children bewildered by the incident. The story tries to show how this child and her friends end up normalising the incident, and go on about their other childish preoccupations. This story was originally published by Muse India.
Set upon a dark stage that Kashmir has invariably become, Sadam Hussain presents four poems that read like four acts of a macabre tragedy—except there is no curtain call and the curtains are never drawn, there where hell has no end and paradise no beginning.
Kashmir Music Live (KML) returns to Inverse Journal with a long due review of one of the most lyrically dynamic and musically diverse songs from the corpus of Kashmiri Hip Hop. Here is KML’s review of the song “Safarnama” by emerging Kashmiri Hip Hop artist Qafilah.
A Movement in Kashmir’s Historiography: Reviewing Khalid Bashir’s Kashmir: Looking Back in Time — Dr. Javid Ahmad Ahanger
Dr. Javid Ahmad Ahanger reviews Khalid Bashir Ahmad’s “Kashmir: Looking Back in Time (Politics, Culture, History)” (Atlantic, 2021) situating the author’s work within a larger tradition of historiography. In the process, Dr. Ahanger evaluates Bashir’s book for the value it adds to Kashmiri scholarship during contemporary times while visiting some of the core topics and ideas that the text unveils or that had not been considered previously with the type of historical analysis it brings to fore.
In this fourth installment of the Karamat Ali Khan series of short stories, O. Kashmiri returns with a compelling fictional account of how Karamat gathered the news of killings, rapes, arrests, and disappearances in a collection of notebooks stored in his house in the Mountain Side. In an attempt to keep such horrific events from disappearing from public record and against forgetting, the old man risks his life well beyond his means and at the service of collective memory.
On World Mental Health Day, Saba Zahoor presents a series of verses that venture into the center of struggles and experiences that remain difficult to communicate yet persist in the lives of millions throughout our human world.
When Robert Hirschfield was 37 years old, his mother was diagnosed with Alzheimer’s. Over the years he became her caregiver and eventually began a poetry project to honor her memory. Now at 82 years of age, the poet and journalist, world traveler and resident of New York, presents four such poems from an entire series that bear witness—through poetic remembrance—to his mother’s struggle. The four poems—that are part of a series currently in its sixth year—are featured here with New York-based contemporary artist Judith Lodge’s work.
Arnab Chakraborty presents two poems fueled by two of the greatest themes in literature—death as dissolution and love as captivity—both of which are addressed in an original manner. The first poem—in its dialogical approach of referencing a great literary character—follows the allusive tradition of other such poems, like Agha Shahid Ali’s “The Wolf’s Postscript to ‘Little Red Riding Hood’”, Carol Ann Duffy’s “Medusa” or Nazim Hikmet’s “Don Quijote” to name a few. The second poem detaches the reader from any habituated meanings or notions of love by relying on the power of metaphor and imagery—and in doing so revitalizes such meanings or notions.