“Just Another Bus Ride” is a story of a twelve year old girl in Srinagar who is very hungry at the close of school and worries about the bus ride home. Her thoughts are about how to best find a snack as she gets onto the bus. The bus finds itself in the middle of a tear gas shelling. The bus driver manoeuvres them out of it, with the children bewildered by the incident. The story tries to show how this child and her friends end up normalising the incident, and go on about their other childish preoccupations. This story was originally published by Muse India.
Set upon a dark stage that Kashmir has invariably become, Sadam Hussain presents four poems that read like four acts of a macabre tragedy—except there is no curtain call and the curtains are never drawn, there where hell has no end and paradise no beginning.
Kashmir Music Live (KML) returns to Inverse Journal with a long due review of one of the most lyrically dynamic and musically diverse songs from the corpus of Kashmiri Hip Hop. Here is KML’s review of the song “Safarnama” by emerging Kashmiri Hip Hop artist Qafilah.
A Movement in Kashmir’s Historiography: Reviewing Khalid Bashir’s Kashmir: Looking Back in Time — Dr. Javid Ahmad Ahanger
Dr. Javid Ahmad Ahanger reviews Khalid Bashir Ahmad’s “Kashmir: Looking Back in Time (Politics, Culture, History)” (Atlantic, 2021) situating the author’s work within a larger tradition of historiography. In the process, Dr. Ahanger evaluates Bashir’s book for the value it adds to Kashmiri scholarship during contemporary times while visiting some of the core topics and ideas that the text unveils or that had not been considered previously with the type of historical analysis it brings to fore.
In this fourth installment of the Karamat Ali Khan series of short stories, O. Kashmiri returns with a compelling fictional account of how Karamat gathered the news of killings, rapes, arrests, and disappearances in a collection of notebooks stored in his house in the Mountain Side. In an attempt to keep such horrific events from disappearing from public record and against forgetting, the old man risks his life well beyond his means and at the service of collective memory.
On World Mental Health Day, Saba Zahoor presents a series of verses that venture into the center of struggles and experiences that remain difficult to communicate yet persist in the lives of millions throughout our human world.
When Robert Hirschfield was 37 years old, his mother was diagnosed with Alzheimer’s. Over the years he became her caregiver and eventually began a poetry project to honor her memory. Now at 82 years of age, the poet and journalist, world traveler and resident of New York, presents four such poems from an entire series that bear witness—through poetic remembrance—to his mother’s struggle. The four poems—that are part of a series currently in its sixth year—are featured here with New York-based contemporary artist Judith Lodge’s work.
Arnab Chakraborty presents two poems fueled by two of the greatest themes in literature—death as dissolution and love as captivity—both of which are addressed in an original manner. The first poem—in its dialogical approach of referencing a great literary character—follows the allusive tradition of other such poems, like Agha Shahid Ali’s “The Wolf’s Postscript to ‘Little Red Riding Hood’”, Carol Ann Duffy’s “Medusa” or Nazim Hikmet’s “Don Quijote” to name a few. The second poem detaches the reader from any habituated meanings or notions of love by relying on the power of metaphor and imagery—and in doing so revitalizes such meanings or notions.
Photo Essay: A 1950s Vintage Landmark Struggling to Stay Afloat in Srinagar’s Dalgate — by Mir Yasir Mukhtar
Mir Yasir Mukhtar returns with an important photo essay detailing the struggle of a historic barbershop—the New Rose Beauty Salon—to stay afloat in Srinagar’s Tange-adda heritage market located in Dalgate. Established in 1953, the salon is run by two brothers, who inherited it from their father and have since strived to keep it functioning after four decades of operation—having already survived August 5 while barely making it across the still ongoing pandemic.
Decolonizing Space: What The White Lotus and The Chair Get Wrong about Student Politics — by Shayoni Mitra
In this piece, Shayoni Mitra, who teaches at Barnard College, Columbia University, provides a direly needed critique on two highly-watched and trending shows, The White Lotus (Netflix) and The Chair (HBO). While discussing what succeeds and stands out in both series, Dr. Mitra problematizes common fissures that reveal what is deeply absent from the plotlines, characterizations, and thematic undercurrents that respectively shape both of these popular series.
BOOK EXCERPT: Resisting Disappearance: Military Occupation & Women's Activism in Kashmir (Zubaan, 2020) — by Ather Zia
Inverse Journal presents an excerpt from the first chapter (“The Politics of Mourning”) of Resisting Disappearance: Military Occupation & Women’s Activism in Kashmir (Zubaan, 2020) by Ather Zia. These selections are part of a book produced from the combination of rigorous academic research and a decade of robust fieldwork coupled with the capacity to present ethnography through a poetic language that the text internally innovates upon.
Along with a poem at end of the book’s introduction, Inverse Journal has included an independently curated visual bibliography with links and media relevant to the book and its author.
Taken in the winter at the beginning of 2015, Sagar Kaul presents 47 photographs documenting the day-to-day life of a man older than the partition. In doing so, Kaul brings to fore a side of Syed Ali Shah Geelani that had not been presented through image before. These visuals serve as an indelible marker of the memory that his loved ones and close associates and friends preserve forevermore. These photographs are published herein “in memoriam” to provide solace to those many in Kashmir and elsewhere who mourn his departure during these trying and difficult times.
The Patronising Gaze of the Camera: The Problems with Constructing Visual Identity of Kashmiri Women Around Their Tears — by Sadaf Wani
Previously translated into Bangla and published in Bama Patrika, a Bangla magazine on gender, Sadaf Wani’s piece explores the problems with creating and reproducing visual portrayals of Kashmiri women around their tears and moments of emotional vulnerability. Focusing on the practices of using photographs of grieving Kashmiri women to accessorize articles and events based around Kashmir, the piece discusses the insidiousness of such acts and how centering the visual identity of Kashmiri women only around certain kinds of visual portrayals contributes to the erasure of complex struggles and contributions of Kashmiri women.
This piece includes screenshots (provided by its author) from various sources, displayed here under “fair use” for illustrative purposes, with direct a citation for each source.
In this extensive interview, Zeeshaan Nabi—vocalist and multi-instrumentalist for the band Ramooz—discusses his latest solo release (Almeeshaan), his work as an independent musician and the virtues and struggles of working as an artist in the emerging contemporary Kashmiri music scene. Nabi further elaborates on his creative process, the subject-matter that shapes his music, and his varying roles as a solo artist, founding band member, studio producer, teacher, and musician driven by the need to constantly experiment and innovate in his evolving artistic practice. Accompanied by a variety of photographs, videos and media, this interview, a first of its kind, is the result of 22 questions emailed to the artist. It represents the dedicated standard at which Inverse Journal wishes to engage with the work of artists, creatives, and academics from multiple fields and backgrounds.