Exactly one year after its release, Amjad Majid revisits one of the most iconic songs from Kashmiri Hip Hop, with a music video that gathered some of the primary figures and the younger generations who developed and expanded the genre, and continue to do so to this very day.
Amjad Majid presents three live performances by Kashmiri music collective Gaekhir Republik that rescue the soul from the constructed time imposed on a subject confined to an equally constructed space, far removed from the Kashmir whose memory we struggle to keep palpitant. In the process, Majid addresses larger questions regarding contemporary Kashmiri music, locating Gaekhir Republik’s performances and musical style within developing notions of such music that this young generation of musicians is shaping along with their peers in the nascent contemporary Kashmiri music scene.
With 2G internet restrictions in place during a global Coronavirus crisis, this article discusses the greater value of independent collaborative initiatives like the COVID-19 Kashmir Tracker developed by young Kashmiri IT professionals Haider Ali, Mudasir Ali and Vikas Bukhari.
In this extensive review, Amjad Majid introduces “Like a Leaf in Autumn,” the latest exhibition by Waswo X. Waswo in collaboration with R. Vijay. Currently on exhibit at New Delhi’s Gallery Espace, the ongoing show closes on November 16th and brings together a vast collection of miniatures, sculptures and sculptural installations, and a few other works produced over the last two years. “Like a Leaf in Autumn” takes its title from a line in Orhan Pamuk’s novel “My Name is Red” and reflects the culmination of twelve years of Waswo X. Waswo’s collaborative work with miniaturist R. Vijay.
Here is a list of Professor Ather Zia’s interventions in the global media regarding the Indian government’s abrupt and secretive decision to repeal Articles 370 and 35A of the Indian constitution. Also included is a useful visual bibliography for our readers, scholars, researchers and journalists to become more acquainted with Professor Zia’s extensive work in multiple relevant and intersecting fields of knowledge centered on Kashmir, its past and its present, and above all, focusing on its peoples.
The Spanish Civil War and its memorialization has become an institution unto itself in contemporary Spain. On a yearly basis, new films, novels, poems, texts of fiction, scholarship and research emerge to expand the culture of revisiting, exploration and study brought about by this defining event of Spanish history. One such film, a short one, is the 2007 Paseo (translated “A Walk”) that takes one of the most famous poems by Mario Benedetti (“Corazón coraza,” translated “Armored Heart”) to weave a story about three men waiting for an inevitable encounter.
In an attempt to develop conversations, dialogues, discussions and exchanges of ideas about contemporary culture from Kashmir to the world beyond the Himalayas, Inverse Journal has arrived to establish a space and a platform for a wide array of culture producers and an interested readership. The journal primarily focuses on contemporary art forms, from fiction, poetry, art, photography, music to scholarly essays and articles, but also intends to create global and multicultural intersections through this common space. We are expecting half of our submissions to come from Kashmiri culture producers and the remaining half will depend on a variety of contributions to the journal made from a diverse group of international contributors.