Postdoctoral researcher Amrita Ghosh interviews Gurminder K Bhambra, Professor of Postcolonial and Decolonial Studies (at University of Sussex) about the relevance of postcolonial and decolonial studies and the importance of the anticolonial in relation to these. The discussion expands into greater considerations about ‘modernity’ and colonialism from a contemporary perspective in the context of books written by Professor Bhambra. The interview brings forth many important ideas to readers, both familiar and unfamiliar with such concepts, drawing connections to substantial research required to dialogue with such ideas and their use in various fields of knowledge, particularly historiography and the social sciences. This interview was previously published in the Winter 2019 issue of “Cerebration: The Literary Journal.”
Reading Discourses of Power and Violence in Emerging Kashmiri Literature in English: The Collaborator and Curfewed Night — by Amrita Ghosh
Abstract: This essay studies two literary texts on Kashmir, The Collaborator (2011) by Mirza Waheed and Curfewed Night (2010) by Basharat Peer and analyzes the discourses of power and covert and overt forms of violence that the works present. It first contextualizes events from the last three years that have occurred in Kashmir to present forms of violence Kashmiri subjects undergo in the quotidian of life. Thereafter, it situates the two works by the Kashmiri writers in the growing body of writing in English on Kashmir and historicizes the conflict. The essay, thus, argues that the selected literary works represent Kashmir as a unique postcolonial conflict zone that defies an easy terminology to understand the onslaught of violence, and the varied forms of power. As analyzed in the article, one finds a curious merging of biopolitics and necropolitics that constructs the characters as “living dead” within this emergency zone. For this, the theoretical trajectory of the essay is mapped out to show the transition from Foucault and Agamben’s idea of biopolitics to Mbembe’s concept of necropolitics. Thereafter, essay concludes how the two texts illustrate Agamben’s notion of the bare life is not enough to understand subjects living in this unique postcoloniality. The presence of death and the dead bodies go beyond bare life and shows how that bodies become significant signifiers that construct a varied notion of agency.