Utilizing a mixed-methods approach, this book uncovers the historical trajectory of U.S. independent hip-hop in the post-golden era, seeking to understand its complex relationship to mainstream hip-hop culture and U.S. culture more generally. Christopher Vito analyzes the lyrics of indie hip-hop albums from 2000-2013 to uncover the dominant ideologies of independent artists regarding race, class, gender, sexual orientation, and social change. These analyses inform interviews with members of the indie hip-hop community to explore the meanings that they associate with the culture today, how technological and media changes impact the boundaries between independent and major, and whether and how this shapes their engagement with oppositional consciousness. Ultimately, this book aims to understand the complex and contradictory cultural politics of independent hip-hop in the contemporary age.
From the Editor's Desk
“Chai, Khatai and a Militant” — An Excerpt from Sandeep Raina's A Bit of Everything (Context/Westland, 2020)
Inverse Journal presents an exclusive excerpt from Sandeep Raina’s recently released novel, A Bit of Everything (2020) courtesy of the publisher (Context/Westland). This excerpt is accompanied by an independently curated visual bibliography relevant to the novel and its author.
In anticipation of the soon-to-be-released longform “Hip Hop Retrospective” piece commemorating the body of work that Cres has produced over the last two decades, Inverse Journal presents the premiere of Cres’ documentary entitled “CRES: ONE LIFE”—a film that gives an insight into this Hip Hop artist’s journey from his native Alicante (Spain) to the US, Latin America and the rest of the world. With Cres as a vessel and intermediary, the documentary uncovers a greater story of interconnectivity within various communities and diverse groups (within this genre), pointing to a larger world that the Hip Hop artist occupies and brings together throughout his musical trajectory, while at the same time sharing space with some of the most recognizable and underground artists, producers and industry creatives.
Dr. Inshah Malik speaks in relative detail about her monograph, “Muslim Women, Agency and Resistance Politics: The Case of Kashmir” (Palgrave Pivot, 2019). The book presents a considerable volume of research and knowledge about the agency of Muslim Kashmiri women and their varied roles in forming and shaping resistance, a subject that has been undermined, if not ignored, in the global arena of academic writing. As such, this seminal text serves to break multiple stereotypes and myths, while uncovering the history of a multifarious resistance by Kashmiri women, whether against state control, patriarchy (both militarized and societal) or political repression. As a visiting professor, Dr. Malik also gave a related lecture on the subject for the South Asia Center at the University of Washington earlier last year. Relevant links included.
On this symbolic day, we present Maqbool Bhat’s 1969 speech translated from Urdu by Wajahat Ahmad.
Possible selves of a hashtag: Moving from the theory of speech acts to cultural objects to interpret hashtags — by Gevisa La Rocca
Abstract: In recent years hashtag studies have increased their numbers. The role of hashtags becomes increasingly predominant in social media studies. Many researchers wonder how to study them, ending up treating them in an aggregate way and turning to big data and static-mathematical modeling. This type of studies seem to consider hashtags as tools, favoring a single analysis perspective. In fact, the studies and the research carried out in the field of social media deal with what users do with hashtags. This paper wishes to propose a different perspective. The question raised here is not “what users do with hashtags,” but “what they do to hashtags.” This theoretical approach presupposes a change in the perspective based on the reading of hashtags as speech acts, which impacts the construction of social reality and identifies hashtags as cultural products. This interpretative path of cultural nature seems to be necessary in order to be able to look at the hashtag as a concept that changes its meaning through human interaction. The consequence of inserting this perspective is that the hashtag becomes a multidimensional concept, which in order to be analyzed must be decomposed and analyzed in all its possible dimensions. If the aim of the research is to reconstruct the sense and meaning of the hashtag.