From the Editor's Desk

From the Editor's Desk

Kashmiri Bella Ciao — An Exclusive Interview with Zanaan Wanaan

Kashmiri Bella Ciao — An Exclusive Interview with Zanaan Wanaan

During August 5 2019, Kashmir was put under complete lockdown with a telecommunications, internet, press and public transport blockade while a series of mass arrests were taking place during many other unprecedented range of state actions that Kashmir observers and experts have called “a siege.” In the aftermath of such impositions and enforced circumstances over an already struggling Kashmiri population, an anonymous creative “collective of Kashmiri women writing and singing their stories of resistance” emerged on social media with “Kashmiri Bella Ciao”, a song that has become familiar to many. Inverse Journal was able to reach out to the anonymous Zanaan Wanaan creative collective via their official social media account for an exclusive email interview to get a broader understanding of their creative work and ideas (presented here along with relevant links from the media).

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Michael Moore Presents: Planet of the Humans — Full Documentary — Directed by Jeff Gibbs

Michael Moore Presents: Planet of the Humans — Full Documentary — Directed by Jeff Gibbs

Film Description: Michael Moore presents Planet of the Humans, a documentary that dares to say what no one else will this Earth Day — that we are losing the battle to stop climate change on planet earth because we are following leaders who have taken us down the wrong road — selling out the green movement to wealthy interests and corporate America. This film is the wake-up call to the reality we are afraid to face: that in the midst of a human-caused extinction event, the environmental movement’s answer is to push for techno-fixes and band-aids. It’s too little, too late.

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The Kimberley Coronavirus Animation — Feature and Interview with Director and Producer Bernadette Trench-Thiedeman

The Kimberley Coronavirus Animation — Feature and Interview with Director and Producer Bernadette Trench-Thiedeman

The Kimberley Coronavirus Animation combines the joint effort of contemporary artists and professionals, from filmmakers, directors, painters, animators, sound engineers, music composers to voice-over artists, performers, and translators, whose collaboration during quarantine has materialized in this community-specific piece of work to raise awareness and provide key contextual information. In our view, this effort sets an example on how artists, producers and creatives can come together to make use of their skills, experience and knowledge within their respective fields to combine creative forces to reach out to marginalized and dispossessed communities that face an altogether different set of challenges in this time of extreme vulnerability. Inverse Journal is proud to present the Kimberley Coronavius Animation that has been circulating widely around the internet and social media. Included is a feature interview with its producer, director and editor, Bernadette Trench-Thiedeman, to familiarize international audiences with the whole project, its specific cultural context, and the creative collaborations that made it possible.

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Ensure Press Freedom in Kashmir — Noam Chomsky, Ayesha Jalal, Tariq Ali, Hamid Dabashi and Several Prominent Figures Endorse Letter Addressing the UN and Worldwide Organizations with 450+ Signatures by Academics, Journalists, Writers, Researchers

Ensure Press Freedom in Kashmir — Noam Chomsky, Ayesha Jalal, Tariq Ali, Hamid Dabashi and Several Prominent Figures Endorse Letter Addressing the UN and Worldwide Organizations with 450+ Signatures by Academics, Journalists, Writers, Researchers

Prominent figures from academia and worldwide press along with several researchers and scholars have endorsed a written a letter and its petition to the UN and several international organizations to demand protection and freedom of press for Kashmiri journalists “charged under the draconian Unlawful Activities (Prevention) Act (UAPA)” that “can carry jail time of two to ten years” and without bail, for doing their job as journalists reporting from and about Kashmir. The letter covers the last few years of state-sanctioned targeting of Kashmir journalists, particularly since August 5, 2019, when India revoked Articles 370 and 35A while maintaining Kashmir under a media, communications, telephonic and press lockdown that a wide majority of Kashmir observers, scholars and experts have called “a siege.” With only 2G internet and mobile telephony restored recently and the press allowed to operate under constant threat of persecution in Kashmir, a new series of cases have been filed against Kashmiri journalists through the “Unlawful Activities (Prevention) Act (UAPA). Inverse Journal has embedded this letter directly from its source and provided a series of “relevant links” embedded directly from their respective sources covering this series of events.

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Watch Online: Palestine Film Institute Streams Ghost Hunting(2017) on Palestinian Prisoners' Day

Watch Online: Palestine Film Institute Streams Ghost Hunting(2017) on Palestinian Prisoners' Day

Palestinian Prisoners’ Day is commemorated every April 17 to remind the world of the plight of thousands of Palestinians incarcerated in Israeli jails and of the struggle of the Palestinian people as a whole. This week, the Palestine Film Institute has selected director and filmmaker Raed Andoni’s “Ghost Hunting” (2017) as their Film of the Week that can be watched from the Institute’s website. We’ve included relevant links.

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The False God of Military Suppression — by Gautam Navlakha — from: Until My Freedom Has Come (Haymarket Books, 2013, ed. Sanjay Kak)

The False God of Military Suppression — by Gautam Navlakha — from: Until My Freedom Has Come (Haymarket Books, 2013, ed. Sanjay Kak)

Inverse Journal reproduces “The False God of Military Suppression” (pp. 174-83), an essay contributed by Gautam Navlakha for the anthology “Until My Freedom Has Come” (edited by Sanjay Kak, Penguin Books India, 2011, and Haymarket Books, 2013). Gautam Navlakha was taken into NIA custody yesterday, on April 14, 2020. 
The excerpt is republished with the permission of the book’s editor. Relevant links embedded from their original sources have been included at the end of this excerpt as a sort of visual bibliography.

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