There are no suitable words to describe or introduce Zabirah Fazili’s latest poem. Within such verses one finds an utterance that every Kashmiri mother, tending to her family, has brought to her lips—with the ringing of gunfire in the horizon or an eerie silence ushered in by the passing of daylight. That utterance is one tragically guided by an intuition that Kashmiri mothers have—a sixth sense that connects them to those who they love with devotion, as if their spirits lived within those loved ones. In interviews and testimonials by many mothers of Kashmir, when they narrate the happenings of a horror that has left an open wound in their hearts and memory, they often recall the day when trauma took shape due to a horrific event—and they refer to something odd, an ominous sign, or some glitch in their quotidian space on that fateful day of irremediable grief and pain. In her poem, the young poet captures—within that one utterance and the verses that contain it—an intuition that defies logic and resides in the presentiment of the mothers, spouses, siblings, daughters, and women of Kashmir who over decades of horrors have developed the ability to smell death in the air. That ability takes heartbreak and grief to abysmal depths where language fails to convey an understanding. It is here that Zabirah’s poetry succeeds to transmit such a heartbreak and grief through her verses because they are relatable to far too many Kashmiris confined, among other prisons, to the prison of silence.

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