In war-stricken Palestine, a woman prepares a meal for her family to break the fast in the month of Ramadan. A phone call by an Israeli soldier alerts her of the bombing of her building in 10 minutes. Coming to accept her family’s fate is the only way she has to make a stand for her life, with grim consequences. Synopsis by Sergio Salazar. The film is based on a ‘standard procedure’ that was ‘innovated’ and put into effect by the Israel Defense Forces (IDF) since 2008.
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“The intent for writing this piece arose from a desire to note a historic event for the people from the Northeast,” writes Enatoli Sema in her commentary on “Axone,” a film she considers a “critical piece of art.” In response to the film and what it inspired in the writer, Sema first reflects on her heritage, culture and its intrinsic value and secondly, on the “unacceptability of discrimination.”
Immerse yourself in the energetic, innovative and potentially illegal world of mash-up media with RiP: A Remix Manifesto. Let web activist Brett Gaylor and musician Greg Gillis, better known as Girl Talk, serve as your digital tour guides on a probing investigation into how culture builds upon culture in the information age.
In what Kashmiri writer Mirza Waheed has interrogated as “the world’s first mass blinding,” here is the story of 18-year-old Farzan Sheikh, who was blinded by pellets fired by Indian government forces a year after the horrific four month curfew of 2016. During that year, “17,000 adults and children” had “been injured” and “nearly five thousand” had “been arrested”, while “an entire population spent the summer under the longest curfew in the history of curfews in Kashmir.” However, with so many Kashmiris blinded through the use of pellet fire, the state’s policy did not change. In 2017, Farzan became yet another target of such violence while attending a funeral procession. Azad Essa and Horia El Hadad present his story in this short documentary. Relevant links included.
Representations of Arabs, Muslims, and Iranians in an Era of Complex Characters and Storylines — by Evelyn Alsultany
Evelyn Alsultany examines shifts and nuances in the representations of Arabs, Muslims and Iranians in popular TV and cinema. This article was originally published in University of Michigan’s Film Criticism journal (Volume 40, Issue 1, January 2016) and is reproduced here via Creative Commons 3.0 Attribution License.
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