2019 — A Year in Review at Inverse Journal

2019 — A Year in Review at Inverse Journal

 Inverse Journal just completed a year of exploration this month after its already troubled launch on February 1, 2019. As such, we are proud to present (in a scrollable timeline) the writings, ideas and work by our many contributors from Kashmir and across the globe who shaped our 2019 in this small but persistent community of readers, writers, artists, poets, filmmakers, scholars, journalists and creatives from multiple fields. 2019 has been the year when—struggling (while still struggling)—the journal took off from South Kashmir and into uncharted territory—risking the attempt to connect diverse peoples from different backgrounds, all sharing in common the features of contemporary culture that make us one: our verses, our stories, our songs, our films, our incisive critical thinking, our contemporary ideas, our research, our scholarship and above all, our voices.

Call to Submissions for Photographers: Kashmir - Paint the Day as Night

Call to Submissions for Photographers: Kashmir - Paint the Day as Night

Inverse Journal invites photographers of all backgrounds to participate in a running series entitled “Kashmir: Paint the Day as Night” to present their black and white photography in a photo story format, with a maximum of 15 black and white photographs accompanied by descriptive captions contextualizing each photograph (maximum caption size should be one short paragraph or 100 words). The selected and published photo stories will be featured under the title “Kashmir: Paint the Day as Night [series number] – by [photographer name]” and will include an editorial introduction, with the photographer being credited as contributor on Inverse Journal’s platform.

Inverse Journal: A Basic Introduction — by Amjad Majid

Inverse Journal: A Basic Introduction — by Amjad Majid

In an attempt to develop conversations, dialogues, discussions and exchanges of ideas about contemporary culture from Kashmir to the world beyond the Himalayas, Inverse Journal has arrived to establish a space and a platform for a wide array of culture producers and an interested readership. The journal primarily focuses on contemporary art forms, from fiction, poetry, art, photography, music to scholarly essays and articles, but also intends to create global and multicultural intersections through this common space. We are expecting half of our submissions to come from Kashmiri culture producers and the remaining half will depend on a variety of contributions to the journal made from a diverse group of international contributors.

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