Editorial Note REV. 2.0: Open Source as an Ideology of Participation and Inclusiveness – by Amjad Majid

Editorial Note REV. 2.0: Open Source as an Ideology of Participation and Inclusiveness – by Amjad Majid

In this comprehensive editorial note, Amjad Majid reflects on the past four decades of technological evolution, highlighting the rise of Open Source more as a mindset than a movement. The note explores how this mindset fostered the growth of diverse communities whose primary vision centered on sharing, contributing, and disseminating knowledge. Such a perspective gave rise to a counterculture that, directly or indirectly, resisted the monopoly of ideas and epistemes, challenging proprietorship within centralized systems that, by their very nature, tend to control access to knowledge to maintain hierarchy, status, and power. Throughout the note, Majid underscores the relevance of this Open Source mindset, intersecting it with key aspects of the arts and humanities that are central to the concept of “Open Source as an ideology of participation and inclusiveness.” Since 2019, this ideology has been a quintessential driving force behind Inverse Journal and its growth into a platform that has published 145 contributors (from 20 countries and territories) whose work has been read by 471,798 unique readers from 205 countries and territories (as of August 2024).

2022: An Inverse Year in Review

2022: An Inverse Year in Review

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2021: An Inverse Year in Review

2021: An Inverse Year in Review

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2019 — A Year in Review at Inverse Journal

2019 — A Year in Review at Inverse Journal

nverse Journal just completed a year of exploration this month after its already troubled launch on February 1, 2019. As such, we are proud to present (in the scrollable timeline below) the writings, ideas and work by our many contributors from...

Inverse Journal: A Basic Introduction — by Amjad Majid

Inverse Journal: A Basic Introduction — by Amjad Majid

In an attempt to develop conversations, dialogues, discussions and exchanges of ideas about contemporary culture from Kashmir to the world beyond the Himalayas, Inverse Journal has arrived to establish a space and a platform for a wide array of culture producers and an interested readership. The journal primarily focuses on contemporary art forms, from fiction, poetry, art, photography, music to scholarly essays and articles, but also intends to create global and multicultural intersections through this common space. We are expecting half of our submissions to come from Kashmiri culture producers and the remaining half will depend on a variety of contributions to the journal made from a diverse group of international contributors.

INVERSE JOURNAL