Fiction

Karamat Ali Khan and the Price of Snow — A Short Story by O. Kashmiri

Karamat Ali Khan and the Price of Snow — A Short Story by O. Kashmiri

In this third instalment of the Karamat Ali Khan series, O. Kashmiri brings us the fictional account of how the Mountain Side, along with the entire Valley, was sold without the consent of Karamat’s people, and without a means to contest such a ludicrous sale. With all faith exasperated, a miracle within the natural order of things restores what was taken—from the land of the people to the hope seeded deep within its soil. Read on to find out how the snow becomes the medium of that miracle to remedy such a forced mass dispossession.

The Cow Theft – A Short Story by Nageen Rather

The Cow Theft – A Short Story by Nageen Rather

Nageen Rather returns to Inverse with a new short story where a “paradox of quantum superposition” like Schrödinger’s cat, both dead and alive, involves the case of a cow lost and found. In both states of loss and re-encounter, the theft of the cow and its supposed return are a burden for the house it belongs to. The nuances of Kashmiri culture, its hospitality and its ways prove to be cumbersome while in the background an indefinite curfew rages on to make things worse in an unfortunate pairing of propriety and misery.

Karamat Ali Khan and the Car – A Short Story by O. Kashmiri

Karamat Ali Khan and the Car – A Short Story by O. Kashmiri

In this second story from the “Karamat Ali Khan” series, the anonymous O. Kashmiri returns with a dark tale involving Karamat and his four sons who reside on the Mountainside in a fictitious valley where trees are cut, earth is flattened, and roads are paved so soldiers can march with greater ease.

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Non-Fiction

Jaun Elia: The Garbage Dump of History — Translated and Introduced by Muzaffar Karim

Jaun Elia: The Garbage Dump of History — Translated and Introduced by Muzaffar Karim

Academic and writer Muzaffar Karim translates and introduces Jaun Elia’s “The Garbage Dump of History,” a piece originally titled “Jannat Jahanam” in Urdu that appeared in Suspense Digest (July 2000). Karim’s introduction and subsequent translation situate international readers beyond Elia’s widely known poetic and academic work, bringing us closer to Elia’s thoughts on Kashmir before, during and after partition. In the process, Karim’s translation reveals a deep sense of empathy, expressed as irredeemable angst that the poet, scholar and philosopher felt for Kashmir and its people, and particularly its disenfranchised Muslim majority. By way of translation, Muzaffar Karim retrieves a piece of writing that serves as a relic or a historical document to register the desperation, angst and nihilism that has festered for decades as Kashmir has remained besieged and exiled from any semblance of peace. That that desperation and angst is expressed by Elia via this translation by Karim makes it even more symbolic of the hostile and unchanging times.

Reporting News and Psychology — by Amir Sultan

Reporting News and Psychology — by Amir Sultan

As a researcher in Psychology, Amir Sultan writes about relevant concepts and terms developed in his field through academic research done on two particular cases of cold-blooded murder. The piece offers interesting observations about studies in Psychology that relate to the world of news reporting. Some of the events discussed and referenced via hyperlink to their direct sources are of a violent nature. Reader and viewer discretion is advised for those sensitive to such events covered widely in the news.

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Poetry

The Damage is Ours Alone – A Poem by Zabirah Fazili

The Damage is Ours Alone – A Poem by Zabirah Fazili

There are no suitable words to describe or introduce Zabirah Fazili’s latest poem. Within such verses one finds an utterance that every Kashmiri mother, tending to her family, has brought to her lips—with the ringing of gunfire in the horizon or an eerie silence ushered in by the passing of daylight. That utterance is one tragically guided by an intuition that Kashmiri mothers have—a sixth sense that connects them to those who they love with devotion, as if their spirits lived within those loved ones. In interviews and testimonials by many mothers of Kashmir, when they narrate the happenings of a horror that has left an open wound in their hearts and memory, they often recall the day when trauma took shape due to a horrific event—and they refer to something odd, an ominous sign, or some glitch in their quotidian space on that fateful day of irremediable grief and pain. In her poem, the young poet captures—within that one utterance and the verses that contain it—an intuition that defies logic and resides in the presentiment of the mothers, spouses, siblings, daughters, and women of Kashmir who over decades of horrors have developed the ability to smell death in the air. That ability takes heartbreak and grief to abysmal depths where language fails to convey an understanding. It is here that Zabirah’s poetry succeeds to transmit such a heartbreak and grief through her verses because they are relatable to far too many Kashmiris confined, among other prisons, to the prison of silence.

From My Memory to Her Heart – A Poem by Khawar Khan Achakzai

From My Memory to Her Heart – A Poem by Khawar Khan Achakzai

On August 5, 2019, Articles 370 and 35A of the Indian constitution were revoked to enforce the status of Union Territory on the state of Jammu and Kashmir without democratic consent from the Kashmiri people. As a measure to quell expected upheaval, the internet, TV channels, mobile telephony, landlines, press, public transport and air travel were taken out of circulation by government order while more Indian troops were moved into the Himalayan territory. In the pitch drop silence of indefinite siege, a poet wrote from his memory to “her heart” not knowing when his message would get across, while even houses from adjacent neighborhoods were left without communication with one another. This poem by Khawar Khan Achakzai is a reminder-in-verse of that time still fresh in the collective memory of Kashmir and its peoples, and a testament to the fact that no lockdown, siege or territory-wide curfew can keep a longing Kashmiri heart from beating.

Kashmiri Haecceity — A Poem by Saba Zahoor

Kashmiri Haecceity — A Poem by Saba Zahoor

Saba Zahoor’s poem on Kashmir presents her place of origin as existing outside of a human-made time. Through her verses, the poet traverses multiple histories and addresses Kashmir as a being, an entity that has endured the heavy burdens of history. In that, Kashmir is a woman, an old woman who does not break, but withers slowly into inexistence or unbeing.

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Film

Film Commentary: On Axone — by Enatoli Sema

Film Commentary: On Axone — by Enatoli Sema

“The intent for writing this piece arose from a desire to note a historic event for the people from the Northeast,” writes Enatoli Sema in her commentary on “Axone,” a film she considers a “critical piece of art.” In response to the film and what it inspired in the writer, Sema first reflects on her heritage, culture and its intrinsic value and secondly, on the “unacceptability of discrimination.”

RIP: A Remix Manifesto (2008) — Directed by Brett Gaylor

RIP: A Remix Manifesto (2008) — Directed by Brett Gaylor

Immerse yourself in the energetic, innovative and potentially illegal world of mash-up media with RiP: A Remix Manifesto. Let web activist Brett Gaylor and musician Greg Gillis, better known as Girl Talk, serve as your digital tour guides on a probing investigation into how culture builds upon culture in the information age.

Out of Sight (2019) — A film by Azad Essa and Horia El Hadad

Out of Sight (2019) — A film by Azad Essa and Horia El Hadad

In what Kashmiri writer Mirza Waheed has interrogated as “the world’s first mass blinding,” here is the story of 18-year-old Farzan Sheikh, who was blinded by pellets fired by Indian government forces a year after the horrific four month curfew of 2016. During that year, “17,000 adults and children” had “been injured” and “nearly five thousand” had “been arrested”, while “an entire population spent the summer under the longest curfew in the history of curfews in Kashmir.” However, with so many Kashmiris blinded through the use of pellet fire, the state’s policy did not change. In 2017, Farzan became yet another target of such violence while attending a funeral procession. Azad Essa and Horia El Hadad present his story in this short documentary. Relevant links included.

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Music

The Values of Independent Hip-Hop in the Post-Golden Era: Hip-Hop’s Rebels (2019, Palgrave Macmillan) — by Christopher Vito

The Values of Independent Hip-Hop in the Post-Golden Era: Hip-Hop’s Rebels (2019, Palgrave Macmillan) — by Christopher Vito

Utilizing a mixed-methods approach, this book uncovers the historical trajectory of U.S. independent hip-hop in the post-golden era, seeking to understand its complex relationship to mainstream hip-hop culture and U.S. culture more generally. Christopher Vito analyzes the lyrics of indie hip-hop albums from 2000-2013 to uncover the dominant ideologies of independent artists regarding race, class, gender, sexual orientation, and social change. These analyses inform interviews with members of the indie hip-hop community to explore the meanings that they associate with the culture today, how technological and media changes impact the boundaries between independent and major, and whether and how this shapes their engagement with oppositional consciousness. Ultimately, this book aims to understand the complex and contradictory cultural politics of independent hip-hop in the contemporary age.

Documentary Premiere — CRES: ONE LIFE

Documentary Premiere — CRES: ONE LIFE

In anticipation of the soon-to-be-released longform “Hip Hop Retrospective” piece commemorating the body of work that Cres has produced over the last two decades, Inverse Journal presents the premiere of Cres’ documentary entitled “CRES: ONE LIFE”—a film that gives an insight into this Hip Hop artist’s journey from his native Alicante (Spain) to the US, Latin America and the rest of the world. With Cres as a vessel and intermediary, the documentary uncovers a greater story of interconnectivity within various communities and diverse groups (within this genre), pointing to a larger world that the Hip Hop artist occupies and brings together throughout his musical trajectory, while at the same time sharing space with some of the most recognizable and underground artists, producers and industry creatives.

Kashmiri Rock Feature: Aalav — by Ramooz

Kashmiri Rock Feature: Aalav — by Ramooz

Kashmir-based rock band Ramooz releases the music video for the first track from their upcoming album conceived and recorded during eight months of lockdown in Srinagar. The song “Aalav”, performed in Kashmiri, is infused with emotive lyricism matched by the evocative imagery of its music video. While some might engage with this music video from the frame of a “memoryscape”, its lyrical range and complex scenography ventures equally into the terrain of a “dreamscape”, where disjointed subtexts and multiple motifs point to a story outside of the frame and hidden deep within its contours. As such, “Aalav” (the call) is as evocative as memory and as elusive as dream, and not easily served to literalists. Video credits, relevant links and lyrics included.

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Art

Between the Personal and the Political — Two Art Projects by Akshay Sethi

Between the Personal and the Political — Two Art Projects by Akshay Sethi

In Akshay Sethi’s artistic oeuvre, the artwork can become a site of excavation, revelation and disambiguation, bringing forth visuals of that which otherwise remains undermined, ignored, unnoticed and relegated to a process of continued invisibilization—one that exists at the core of the everyday and the quotidian. Here the Delhi-based emerging artist presents a collection of his own works divided into two projects, with proper introductions and a few summarized commentaries about each set of works as part of Inverse Journal’s initiative to have artists of all generations write for themselves and present their work in their own words.

In these works, Sethi explores the fine line between the personal and the political, one that exists in a material form but that goes unperceived were it not for the creative impetus of the artist to frame a re-envisioning of the personal within the political—and vice versa—situated metaphorically in the object of art. Through the artistic medium, the young artist’s practice invites multiple inquiries into what otherwise would simply pass along as “day-to-day happenings” or a series of events confined to news reports and headlines that trend and subside into a collective oblivion or a collective memory—framed and curated by mainstream and mass media—once their trending impact has reached a specific shelf life. It is here that Sethi’s work interjects to excavate for a greater human profundity within the personal and the political to transcend event, subject, group, collective as mere ‘happening on the street’, breaking away from the quotidian limits set upon everyday life by a variety of circumstances and conditions. The result is a poetics that can best be observed in the works themselves as the young artist works to develop and refine his art practice.

To delve deeper into a greater human understanding, Sethi often engages with literature, poetry, news media, contemporary culture and tradition by shaping his works as points of convergence between these while imbuing such works with a spirit of critique where resistance and criticality can take shape in multiple ways. The young artist’s engagement with various forms of literature is essential to the meaning-making that fiction writing offers, in a world where many times sense and sensibility seem lacking or absent.

Drawing Voices From a Well of Silence — Two Illustrative Works by Khytul Abyad

Drawing Voices From a Well of Silence — Two Illustrative Works by Khytul Abyad

Emerging Kashmiri artist Khytul Abyad brings us two of her illustrative works that can be viewed as standalone pieces or part of a greater patchwork that tells the story of her birthplace. Khytul has operated exclusively in the realm of Kashmiri contemporary art since her recent days as a student, working as a visual artist exploring different mediums and styles to develop a visual vocabulary of her own. Here she presents two pieces that venture into the realm of storytelling via illustration in line with the graphic novel. At the present, the graphic novel has yet to move beyond Sajad’s quintessential “Munnu” that set the stage, with other younger artists exploring the genre and medium through their own visual language and stylistic approaches to visual storytelling. Other visual storytellers who produce comics, political cartoons and illustrations have long maintained their signature styles and visual language without ever having the need or the desire to go into this long-form medium.

Such creative choices notwithstanding within that limited genre, another graphic novel, Naseer Ahmed’s “Kashmir Pending” with illustrations by India Today’s illustrator Suarabh Singh has followed as a work by multiple creators, Kashmiri and non-Kashmiri, reflecting the many directions that the Kashmir-themed or Kashmir-set graphic novel can take. However, as far as a graphic novel by one author and that too a young woman artist is concerned, Khytul’s artistic explorations presented here show promise in broadening the genre of the Kashmiri graphic novel even further, with an amplified diversification of sorts brought about in just over half a decade. With such considerations in mind, here are two storyboarded tales of fiction that permeate into a reality that is all too familiar to many Kashmiris. Such stories are located within the forgotten corridors of Kashmir’s everyday life, remaining unexpressed, silenced and made invisible up until young artists like Khytul engage their artistic sensibilities and artcraft to excavate the memory, experiences, and the lives of others, otherwise relegated to oblivion and brought to the fore by artistry such as Khytul Abyad’s.

This piece includes a note from the artist and relevant links from press  (courtesy of Inverse’s bibliographic approach) to familiarize viewers/readers about this young artist’s work.

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Photography

L O S T – A Series of Photographs by Adil Manzoor

L O S T – A Series of Photographs by Adil Manzoor

With a camera in hand, Adil Manzoor returns home to his Kashmir, and in returning, he also returns to a silence that is familiar yet strange. In these photographs, Adil tries to locate that silence in multiple ways, where photography as an “objective” visual medium traces in black and white the subjective and intersubjective matter of thought, distraction, meditation, loss and entrancement. The young photographer finds these situated in a silence that is peculiarly Kashmiri and that is drawn on Kashmiri landscapes and on the Kashmiri faces he captures in black and white.

Before the Lockdown — by Swasti Acharya

Before the Lockdown — by Swasti Acharya

Swasti Acharya presents a series of photographs that she produced seven years ago, in June of 2013. The series “Before the Lockdown” retrieves, as photographs often do, what is set to be lost or displaced in one way or another (as memory or as something else). In such images, the eternity of a time past reverberates in visuals of everyday life, beyond the limits of enforced change and beyond a controlled liminality that has continuously besieged Kashmir, as if it were some sort of a “liminal space” made such for its own inhabitants (if one is to be reminded of the martial reality that exists beyond such innocent and unassuming visual framing). In more ways than one, Acharya’s visuals of Kashmir elucidate how photography is an art where “capturing” and “retrieving” can be harmonious and not disruptive as far as image-making is concerned, and that too through the unfamiliar lens of an unaccustomed outsider who goes back in time to recover visuals of something that tomorrow might not remain the same or might altogether have been forcefully transformed into something else. This series is published with a note by the young photographer along with relevant captions that go beyond any editorial framing and interpretations presented in this editorial introduction.

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Books

“Nothing moved except the mirage”: Analysing Fear and Freedom in Adania Shibli’s Minor Detail — by Dr. Chaandreyi Mukherjee

“Nothing moved except the mirage”: Analysing Fear and Freedom in Adania Shibli’s Minor Detail — by Dr. Chaandreyi Mukherjee

Dr. Chaandreyi Mukherjee presents an academic paper that is also a book review for Palestinian author Adania Shibli’s 2020 novel, “Minor Detail” (New Directions). A finalist for the National Book Award, “Minor Detail” is one of the most relevant works of contemporary Palestinian literature that connects 1949 and the Nakba with present day Palestine—as its protagonist digs into the past to uncover horrific truths. Mukherjee’s response and writing on the novel and its many themes is essential to understanding the greater depth to be found in decades of Israeli occupation over Palestinian land and life. The academic not only includes relevant criticism within this piece but also integrates theoretical formulations and observations by various scholars and thinkers that are pertinent to her own readings, such that through her ‘book-review-as-academic-paper’ one gets access to entire bodies and fields of knowledge, from postcolonial theory to resistance literature. Just as “Minor Detail” tells the story of a people and their larger history by means of a protagonist, Dr. Mukherjee’s paper offers multiple vectors of understanding in order to facilitate incisive critical engagement with this recent work of Palestinian literature.

Prajnya Gender Talks: Muslim Women, Agency and Resistance in Kashmir — by Dr. Inshah Malik

Prajnya Gender Talks: Muslim Women, Agency and Resistance in Kashmir — by Dr. Inshah Malik

Dr. Inshah Malik speaks in relative detail about her monograph, “Muslim Women, Agency and Resistance Politics: The Case of Kashmir” (Palgrave Pivot, 2019). The book presents a considerable volume of research and knowledge about the agency of Muslim Kashmiri women and their varied roles in forming and shaping resistance, a subject that has been undermined, if not ignored, in the global arena of academic writing. As such, this seminal text serves to break multiple stereotypes and myths, while uncovering the history of a multifarious resistance by Kashmiri women, whether against state control, patriarchy (both militarized and societal) or political repression. As a visiting professor, Dr. Malik also gave a related lecture on the subject for the South Asia Center at the University of Washington earlier last year. Relevant links included.

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Academia

The Values of Independent Hip-Hop in the Post-Golden Era: Hip-Hop’s Rebels (2019, Palgrave Macmillan) — by Christopher Vito

The Values of Independent Hip-Hop in the Post-Golden Era: Hip-Hop’s Rebels (2019, Palgrave Macmillan) — by Christopher Vito

Utilizing a mixed-methods approach, this book uncovers the historical trajectory of U.S. independent hip-hop in the post-golden era, seeking to understand its complex relationship to mainstream hip-hop culture and U.S. culture more generally. Christopher Vito analyzes the lyrics of indie hip-hop albums from 2000-2013 to uncover the dominant ideologies of independent artists regarding race, class, gender, sexual orientation, and social change. These analyses inform interviews with members of the indie hip-hop community to explore the meanings that they associate with the culture today, how technological and media changes impact the boundaries between independent and major, and whether and how this shapes their engagement with oppositional consciousness. Ultimately, this book aims to understand the complex and contradictory cultural politics of independent hip-hop in the contemporary age.

“Nothing moved except the mirage”: Analysing Fear and Freedom in Adania Shibli’s Minor Detail — by Dr. Chaandreyi Mukherjee

“Nothing moved except the mirage”: Analysing Fear and Freedom in Adania Shibli’s Minor Detail — by Dr. Chaandreyi Mukherjee

Dr. Chaandreyi Mukherjee presents an academic paper that is also a book review for Palestinian author Adania Shibli’s 2020 novel, “Minor Detail” (New Directions). A finalist for the National Book Award, “Minor Detail” is one of the most relevant works of contemporary Palestinian literature that connects 1949 and the Nakba with present day Palestine—as its protagonist digs into the past to uncover horrific truths. Mukherjee’s response and writing on the novel and its many themes is essential to understanding the greater depth to be found in decades of Israeli occupation over Palestinian land and life. The academic not only includes relevant criticism within this piece but also integrates theoretical formulations and observations by various scholars and thinkers that are pertinent to her own readings, such that through her ‘book-review-as-academic-paper’ one gets access to entire bodies and fields of knowledge, from postcolonial theory to resistance literature. Just as “Minor Detail” tells the story of a people and their larger history by means of a protagonist, Dr. Mukherjee’s paper offers multiple vectors of understanding in order to facilitate incisive critical engagement with this recent work of Palestinian literature.

Prajnya Gender Talks: Muslim Women, Agency and Resistance in Kashmir — by Dr. Inshah Malik

Prajnya Gender Talks: Muslim Women, Agency and Resistance in Kashmir — by Dr. Inshah Malik

Dr. Inshah Malik speaks in relative detail about her monograph, “Muslim Women, Agency and Resistance Politics: The Case of Kashmir” (Palgrave Pivot, 2019). The book presents a considerable volume of research and knowledge about the agency of Muslim Kashmiri women and their varied roles in forming and shaping resistance, a subject that has been undermined, if not ignored, in the global arena of academic writing. As such, this seminal text serves to break multiple stereotypes and myths, while uncovering the history of a multifarious resistance by Kashmiri women, whether against state control, patriarchy (both militarized and societal) or political repression. As a visiting professor, Dr. Malik also gave a related lecture on the subject for the South Asia Center at the University of Washington earlier last year. Relevant links included.

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Acquaintance

Freedom Through Untouchability: A Letter to Kashmiris — by Murad Saleem

Freedom Through Untouchability: A Letter to Kashmiris — by Murad Saleem

A deeply embedded sense of existential threat has surrounded Kashmiris from multiple directions, materializing in varying challenges and struggles throughout their history. This letter by Murad Saleem, published in Inverse Journal’s Acquaintance (opinions/perspectives) section, addresses and problematizes such an existential threat, taking into account the struggles that Kashmiris face and the different strategies of resistance that can coalesce to carry a dispossessed people forward. As its messenger, the author of the letter has gathered words of wisdom spanning several centuries and generations, effectively delivering wisdom of his own to his fellow Kashmiris back home.

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Kashmir 2019 Siege

On August 5, 2019 the Indian state abrogated Articles 370 and 35A of the Indian constitution to make Kashmir a permanent territory within the Indian Union without prior consent or consultation with the people of Kashmir. For months, the Kashmiri press, television, media, mobile, telephony, internet and other essential services and institutions were shutdown under government order while dissidents, activists, and even government-sponsored politicians were put under arrest.

It became meaningless and practically impossible to keep this journal — dedicated to contemporary culture from Kashmir and around the world — running while Kashmir was put under unprecedented siege and lockdown. This special section of the journal was born out of necessity, to compile and directly cite various articles and sources from recognized media and academic institutions about what was unfolding in a Kashmir placed under complete blackout, siege and lockdown while millions of people were kept silent.

The curated selection presents Kashmiri voices and offers a perspective on such impositions from members of the Kashmiri press, academia, independent Indian and international media through proper citation and bibliographical reference. It also includes a variety of accounts from those whose basic freedoms were taken away.

All the articles, videos, media, academic articles, and other such content are cited and linked to their original sources, since Inverse was intended to be a space of cultural engagement in the arts and humanities, with a dedicated focus on academic thinking and contemporary cultural production. All of such editorial plans became impossible, blockaded by the collosal shifts enforced upon Kashmir and its peoples.

In memory of these events — and their ongoing impact on Kashmir and its peoples — this section has become a permanent part of this journal. For legal concerns, see the Editorial Disclaimer at the bottom of each page on this platform. 

Amjad Majid
Founding Editor
Inverse Journal

Ensure Press Freedom in Kashmir — Noam Chomsky, Ayesha Jalal, Tariq Ali, Hamid Dabashi and Several Prominent Figures Endorse Letter Addressing the UN and Worldwide Organizations with 450+ Signatures by Academics, Journalists, Writers, Researchers

Ensure Press Freedom in Kashmir — Noam Chomsky, Ayesha Jalal, Tariq Ali, Hamid Dabashi and Several Prominent Figures Endorse Letter Addressing the UN and Worldwide Organizations with 450+ Signatures by Academics, Journalists, Writers, Researchers

Prominent figures from academia and worldwide press along with several researchers and scholars have endorsed a written a letter and its petition to the UN and several international organizations to demand protection and freedom of press for Kashmiri journalists “charged under the draconian Unlawful Activities (Prevention) Act (UAPA)” that “can carry jail time of two to ten years” and without bail, for doing their job as journalists reporting from and about Kashmir. The letter covers the last few years of state-sanctioned targeting of Kashmir journalists, particularly since August 5, 2019, when India revoked Articles 370 and 35A while maintaining Kashmir under a media, communications, telephonic and press lockdown that a wide majority of Kashmir observers, scholars and experts have called “a siege.” With only 2G internet and mobile telephony restored recently and the press allowed to operate under constant threat of persecution in Kashmir, a new series of cases have been filed against Kashmiri journalists through the “Unlawful Activities (Prevention) Act (UAPA). Inverse Journal has embedded this letter directly from its source and provided a series of “relevant links” embedded directly from their respective sources covering this series of events.

Amid COVID-19 Pandemic, Over 170 Academics from Around the World Demand India Restore High-Speed Internet, Release Kashmiri Political Prisoners

Amid COVID-19 Pandemic, Over 170 Academics from Around the World Demand India Restore High-Speed Internet, Release Kashmiri Political Prisoners

While the world readjusts to handle the Coronavirus, Kashmir is stuck under 2G internet (which was first rolled out in 1995) and without adequate equipment and facilities. As a result, the following letter has been sent from the Kashmir Scholars Consultative and Action Network (KSCAN) and Concerned Academics & Professionals from around the world to the World Health Organization, UN Special Rapporteurs, and various international health organizations. You can view the official letter here. We have included relevant links embedded directly from the original news sources at the bottom of this letter. For more, check out our Kashmir 2019 Siege section.

A Kashmiri Heart at Siege — A Personal Account by Omair Bhat

A Kashmiri Heart at Siege — A Personal Account by Omair Bhat

August of 2019 became a month of insomnia, despair and nightmare-ridden sleep for most Kashmiris, and particularly for those who were stranded away from home while Kashmir was put under a media, telecommunications, internet, broadcast news and public transport blockade unshy from being a complete lockdown and siege. Kashmiri poet and writer Omair Bhat presents his personal log of the first two weeks of such restless nights and tiresome days, when desperation competed with grief and anger to suffocate people like him in an endless uncertainty.

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Knowledge is like Teher.
A handful of cooked rice
a humble offering
to ward off the grief
from an entire century.
Whosoever receives Teher
does so with blessings
and well wishes.
Today the T in Teher
is the T in Taaleem
just as the K in Kashmir
is the K in your name.
From Teōtīhuacān to Tral
we make a humble offering.

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